They worked wonders for me on some transfers from VHS and 1/4" reel, cleaning them up nicely with minimal artifacts. In particular, Cool Edit Pro’s Noise Reduction set gets high marks for ease of use and good results. The quality of all the effects is above average, and several are outstanding. The others have parameters that remain static throughout the track, but that wasn’t a deal-breaker for me. Only four of the effects seem to be automated: Dynamic Delay, Dynamic EQ, Pan/Expand, and Stereo Field Rotate. Those 45 cover all the necessary categories, and some strange ones that you “zap and whoosh” types should enjoy using. You can use any DirectX plug with Cool Edit Pro, although with the 45 effects included you won’t feel any pressing need to acquire more plugs. An additional mixer tab lets you choose whether the effects you’ve selected act in series or in parallel, and shows bypass status. After you’ve populated your virtual “effects rack,” then the next time you double-click on the FX button you’ll see a window with tabs for the different effects. Clicking on a track’s FX button brings up a dialog box where you select effects from a list. Each track also has a dedicated EQ with low, mid, and high bands, with the mid band parametric and the others either shelving or parametric.ĭSP effects in the Multitrack View are non-destructive, and can be inserted in series or assigned to a bus. The Multitrack View looks as you would expect, with a track pane that’s bordered on the left by record/solo/mute switches, I/O assignments, and FX, volume, pan, and wet and dry sliders.
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